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Through the end of the '90s, Sweat's mainstream profile wasn't quite as high, but he remained a major force in R&B as he recorded the occasional contemporary set, including Get Up on It (1994), Keith Sweat (1996), and Still in the Game (1998). Additionally, the first of two albums recorded with Gerald LeVert and Johnny Gill, billed as LSG, was considerably successful, and he also produced a handful of prominent '90s acts, such as Silk, Kut Klose, and Dru Hill. The following decade began with Didn't See Me Coming (2000) and Rebirth (2002), his final releases for Elektra. He moved to Atco for Just Me (an R&B chart-topper in 2008), then to Kedar for Ridin' Solo (2010). 'Til the Morning (2011) was the first release on his KDS label. Sweat starred in the Centric channel's reality program Keith Sweat's Platinum House, in which he facilitated a turbulent Dru Hill reunion. Dress to Impress (2016) featured that group, as well as Silk, as guest collaborators. At the time of its release, The Sweat Hotel, his long-running syndicated radio program dedicated to R&B from the '70s to the present, was nearing its tenth anniversary. In 2018, with a dozen albums behind him, Sweat issued Playing for Keeps, featuring guests K-Ci, Akon, Teddy Riley, and Tank. ~ William Ruhlmann & Andy Kellman